By this time, we all know how good a theme “A Wednesday” was. It had amazing screenplay, dialogues and direction. It is said by a few that Unnai Pol Oruvan (UPO) is the exact replica of “A Wednesday”. Comparisons have been made by many about which version is the better. Before I dissect this further, a word of caution though. The original “A Wednesday” would always retain its significance because it was trying something new. After watching both the movies, I could only observe that UPO though retains the essence- the plot and characterization, there are so many places where there is a huge difference. I have tried to capture areas where great attention has been paid to even minute details. Enjoy reading the post!
Plot- UPO scores
“A Wednesday” was more biased towards the actions and retributions taken by a particular community. If you had watched it carefully, all the 4 terrorists and even Naseer’s character in the movie belonged to the same community. Wednesday mitigated this by beautifully making Naseer take action on these terrorists even if they belong to his community. UPO has made the terrorism theme more Universal by pointing out that terrorism does not have religion (U see a Hindu terrorist too).UPO also brings out the aspect of how one needs to be sensible towards terrorism in regions other than ours.
Scene Comparisons
Naseer & Kamal Haasan- Common Man ; Anupam Kher & Mohan Lal- Commissioner
Places where UPO is better than Wednesday
1) First Scene: Even in the first scene, there is a huge difference. UPO has a more natural feel to it by showing Lal narrating the experience while he takes his dog to a walk. The Hindi version shows him getting a chair to sit in the beach. In the Hindi version, no action was taken on the commissioner Anupam post this incident in the film. Clearly, no commissioner can escape (at least from public) after letting 4 terrorists die. The language used by Anupam to describe Naseer “that bastard just had the guts to walk in our life and blow it apart” is rude”. The words contradict the feeling that Anupam actually has for Naseer. UPO does not make too many comments at the start and quickly moves into the movie.
2) Placing Bags: Naseer is shown placing the bags very obviously. He places it right in the middle of a stairway to the train with all people walking around him. Kamal does it more gracefully. Also, he does it in more than one place (bus, train, and mall).
3) Police Station Scene: In the scene within police station, the toilet is placed inside the police station. Naseer walks past the police carrying the bag inside. Naseer walks past the cop carrying the bag. Also, while he walks inside, there is another cop coming out of the rest room. Naseer makes no effort to hide and place the bag, he just leaves it in area under the sink. UPO makes it more authentic by keeping the rest room outside the complaint room and Kamal makes great effort to place the bag such that it is not visible even when you try seeing it there. Also, we do not find any cop in the rest room when Kamal walks in.
4) Cop dropping wife scene: In Wednesday, the cop Jai drops his wife at the railway station. This scene had no importance at all to the movie and was just shown to introduce Jai. UPO made it a necessary scene by also making Kamal place his supposedly explosive bag in the same scene. Good work!
5) Cop and wife dialogues: Cop Jai’s wife is shown going to her mother’s home, staying for some time and coming back all in a matter of 3 hours. It is highly unlikely especially if you listen to the dialogues of Jai to his wife. That showed that the place was a bit far away. UPO realizes this and made all talks of Sethu (guy playing Jai’s role) to his wife during her travel only. More sensible narration. Also, the discussion of places during the conversation is the actual places you pass by when you travel from Chennai to Madurai. Careful film making indeed!
6) At police station: Naseer is rude to the police officer within the station. He tells him “What do you mean by how do things get lost”. A common man is expected to talk politely to a cop. Kamal hides his anger in this scene and responds politely to the cop. This is not the place to show the common man’s anger as that would avoid him from executing smoothly the purpose for which he has come to the station.
7) Actor Complaint part: In the Hindi version, in the scene where the actor complains to the commissioner, the actor is shown walking alone to the Commissioner’s office which is highly unlikely in an actor adoring society like India. It is especially unlikely when you see the character played by the actor, self proclaiming. Also, the actor reacts poorly when the threatening phone call comes and he even hugs the cop. There is also a flashback for the actor. UPO corrects these, besides bringing in a spoof of a popular actor. Also, the commissioner tries to at least show that he is taking some necessary action. The Commissioner explaining the reason for providing more security is well thought too.
8) Introductory Scene of reporter: Again, this scene is no way related to the movie in the Hindi version. This scene is present in “A Wednesday” just to introduce the reporter. We have the reporter talking to a guy who has survived an electric shock. All this effort to introduce her.
UPO scores high in this scene by making this scene related to the essence of what this movie is about- terrorism. Also, this scene shows Kamal watching the program and maybe that’s a reason why he chose this reporter over others. Also, in this scene, kamal is showing making his purchases even before his wife reminds (thus showcasing him as a responsible common man!). 3 actions done in the same scene! The Bush Musharaff parody is a nice comedy.
9) Cop- Traffic cop dialogue: In UPO, the cop is more assertive with the traffic cop when he demands a bribe from auto wala. Also, after the cop asks the traffic cop to pay the auto wala back, the auto wala’s statement is artificial. “times have changed, new age is here” etc. Seldom do auto walas talk to traffic cops this way as they have to face the brunt later. UPO omits this dialogue.
10) Dress: The commissioner is in casual wear in his office. Mohan lal sports the police wear lending more authenticity to the role.
11) Cop Ariff Introductory scene: Ariff’s introductory scene has a cop watching the reporter’s show on TV and that’s when Ariff is introduced. This again reiterates the fact that the reporter and her shows are popular and introduces Ariff at the same time, again oru kallula rendu maangha! The location for Ariff introductory scene is shown as a police station in UPO whereas in Wednesday, it is some isolated place (looking like a large storehouse)
12) First terrace scene: In the scene where Naseer walks first to the terrace, he’s shown more casual (without being careful), even humming a small note. This is highly unlikely considering the seriousness of the issue and the need to be alert all the time. Kamal has a careful measured walk, absence of humming. Scene where he drops things is casual too. Even, there is a difference in the size of the bag that he carries.
13) Call Testing: Naseer is shown receiving a call from his wife and answering it before configuring his devices. Whereas Kamal uses the opportunity to receive a test call from his wife and tests the device setup before actually calling the commissioner. Good! Also, after the call with his wife, it is shown all things are arranged and kept when in fact Naseer had just come. UPO is careful in this aspect too.
14) Government negotiation: UPO gives more weightage to the role of a Chief Secretary character as an agent between CM and commissioner. Seldom do CMs work at the ground level. If a CM does that (as shown in Wednesday), he is more likely to negotiate too. Of course, for every issue, we cannot have the CM intervening, even at the national level, it is the same as in most security issues, NSA and other higher officials deal with them. Chief Secretary’s role got the importance in UPO that it truly deserves. Also, in UPO, it is shown that the CM is busy as it is election time.
Having the CM’s voice and showing the house (Gopalapuram) makes it appear more genuine in UPO than in Wednesday which even had a man in CM role appear in the screen.
15) Chief Secretary: The Chief Secretary was a sober guy in Hindi version, in UPO, the interactions between Commissioner and Chief Secretary is one of the highlights of the movie, brings the rifts and difference in perceptions and actions of the 2 facets of Govt very well.
16) Reporter Prank: Even in minor scenes like the reporter first receiving call from the common man, in UPO, the reporter thinks it is a prank. In Wednesday, she immediately believes the common man.
17) Commissioner rudeness: In Wednesday, Anupam tells Chief Secretary, “I don’t know but you have to come in 15 mins”, U can never demand a chief secretary. In UPO, Lal requests and gets it done smoothly.
18) Voice modulation: Kamal shows better voice modulation in asking commissioner not to waste time dialogue scene, Tom & Dicky/ Kuppan SUbban dialogues, sensationalism and when demanding a negotiator.
19) Terrorist locations: Keeping terrorist in different place (Bangalore) is well thought too.
20) Diffusing bomb in Police Station: The Common man informs that the bomb is set to go off in police station in a short time. Wednesday shows the communication, fetching such a huge group of diffusing squad, searching in only the planted place and diffusing bomb on their own done in 20 mins. It’s a bit unlikely. UPO did it better by showing only a smaller squad, searching for bomb in all places and the bomb diffuser taking the sensible help of police force. The police force takes the help of common man to diffuse the bomb, thus meeting the purpose without showing ego. This is essential when u have severe time constraint.
21) Commissioner turns constable: Commissioner Anupam is shown extracting information from the agent himself, again highly unlikely. The Commissioner is co coordinating a major effort, his job is planning and communicating, Here, he is even shown beating the guy to extract info while the guy just gives the info on seeing Arif. Why should he suddenly let out all info on seeing Arif?? What’s the background, this is unclear. UPO handles this scene well. Commissioner calls Arif and he extracts info. This scene brings out Arif’s character too well. Also, the seduction of the guy part is a welcome addition in UPO.
22) Cop-reporter interaction: After the bomb is diffused, the cop Jai goes off just like that after seeing the reporter. A responsible cop should take effort not to bring it out in the open. UPO shows the cop trying to chase reporter away from the spot. The reporter’s dialogue in UPO in response to commissioner question of who she is “ I am a woman, an Indian and a reporter” captures her character in essence.
23) Cop fight: Wednesday shows that the two cops are hostile to each other especially Jai to Ariff. One cop remarks to Jai on seeing Ariff “Pyscho is coming”, this part was not needed. On a huge mission, the two cops need to show more partnership. Also, in a lot of scenes, Jai gets irritated seeing actions of Ariff and he shows this frustration in front of the terrorists. UPO cleverly avoids showing the friction.
24) Commissioner asking which department Ariff is in now is totally unnecessary. He would know about him better before deploying him.
25) Hindu terrorist: Making use of Hindu terrorist too and having the dialogue that he is religion, currency agnostic in UPO clearly brings out that terrorism has no boundaries besides avoiding being biased against a particular community.
26) Naseer shown in Intelligence Report: This is a serious mistake in “A Wednesday”. During the presentation about the terrorists, the cop tells that there is speculation about a strange guy moving around and he is assumed to b a strategist of terrorist groups showing Naseer’s photo in the background. When have Indian intelligence become too smart to decipher things and pass info all within couple of hours, what has naseer done to be spotted by intelligence in such a short time. Also there is a dialogue telling that even his wife does not know what he is doing. Boss, if u r able to spot the wife, u have got the guy too!
27) Cop during presentation: The cop, himself, telling at the end of the presentation to the commissioner “we are always one step behind the terrorists” is demeaning. UPO scores in this by having a discussion between chief secretary and commissioner and having the chief secretary tell this dialogue, well thought!
28) Cop in police jeep: Ariff comes in police jeep to catch the arms guy, thus allowing him to escape. UPO avoids this by making Ariff leave the jeep at a distance, walk to the cop and then he runs.
29) Commissioner Anupam is shown briefing the reporter on the incident when she asks. This was not needed and was correctly skipped in UPO.
30) Mohan Lal makes the cop to tell the exact words he wants to communicate to media and he does a dry rehearsal. No such scene in Hindi. Also, Lal checks the camera to see if it was captured correctly. Gud attention to details!
31) Finding location of common man: The scene where Ariff comes to find the location where common man is better captured in UPO. Kamal is shown being more alert noticing Ariff whereas Naseer misses him. U have to be alert on such a critical mission.
32) News report: Kamal intently listens to news about terrorists being shifted whereas Naseer is very casual. Definitely, it is serious news to be paying careful attention to!
33) Commissioner about reporter: In Wednesday, Anupam tells to CM that the terrorist is monitoring him through Naina. It is so easy to ask Naina to stop televising this besides the fact that Naina is actually helping the cops indirectly. This dialogue was carefully avoided in UPO.
34) Even in scene where credit card lady calls, Anupam allows her to talk too much before interrupting. When u r in a time critical task, this is the least u expect. Mohan lal stops her abruptly.
35) Location – Airbase: The choice of location for the final shoot out is better in UPO. An old airport (CHozhavaram) has less chance of intervention than a newly laid Juhu Airbase. Also, because of this aspect, u can see security in Juhu airbase, if u have this many security, how cud the common man rig that? Having the old deserted location avoided all this in UPO.
36) Facial Expression: Kamal scores in his facial reaction, especially using eyes. Naseer shows no reaction in face or eyes most times. When commissioner asks for warranty, bringing pressure cooker example was good in UPO. Kamal also scores in the way he tells this dialogue “Do u have any other choice?” when commissioner asks him how cud he trust him.
37) More modern: When the cop tells commissioner that this is a unique way of routing calls. UPO avoids this as these incidents happen post 26/11 and everyone is aware of the same technology used there too. Careful attention to details.
38) Sketch of common man: In “A Wednesday”, the artist tries manually to create sketch of the common man. In a time critical task, u don’t need this. Use of computer solved the purpose in UPO.
39) Armory room dialogue: In the scene where Commissioner talks to the 2 cops in Armory room, UPO is good. The scene where the paper flies and Ariff catches is a welcome addition and Lal makes a good comment about the senses to be sharper like the reflexes.
40) Making Ariff suspicious: Commissioner calls Jai after he walks a long distance and tells him to take care of Ariff, thus clearly making Ariff suspicious. UPO does this better by having the commissioner tell the cop this as soon as they come out of the room.
41) Hacker role: Having the IIT drop out in UPO lent more credibility to the hacker role. In Hindi, the hacker showed scant respect to Commissioner whereas in UPO, the guy is cool, yet he gives the needed respect.
42) Vehicle Choice: The choice of the vehicle to escort the terrorists is done better in UPO. Also, in Wednesday all terrorists are only handcuffed. They could possibly launch an attack. In UPO, their hands are tied to the vehicle and thus limiting their movement.
43) Reporter sees escort vehicle: Wednesday shows the reporter seeing the vehicle carrying the terrorists pass by. This was uncalled for in an extremely secret mission. UPO avoids this intentionally by making the reporter come to the rear side of the old airport.
44) In “A Wednesday”, when Ariff pushes the terrorists to stand on same side, the other cop stares at Ariff, not at all needed especially when he’s doing the right thing.
45) Call to terrorists: Naseer is pleading to Commissioner to connect to Ariff and terrorists. Kamal demands the Commissioner. A terrorist is expected to demand, especially when he does not want to let go of his upper hand.
46) Acting: The scene where Kamal presents a short laugh (to himself, wondering how members of same community behave differently) when he hears the name of the cop as Ariff Khan is more sensible compared to the hearty laugh that Naseer gives. Why does Naseer show this reaction when the movie is all about avoiding community based references. Besides the laugh gives ANupam a clue that he belongs to a particular community. Kamal’s reaction in this scene is very good. The way Kamal wipes his tears with a gun conveys in essence the movie plot. There might be a need for wiping tears with guns in the current state, height of symbolism!
47) Variation in Hindu terrorist: The Hindu terrorist presents a character that is different from the others. When all others tell fakr hai, he avoids so bringing out the variation and the fears that he has for his life clearly bringing out the variation in his character.
48) Cop Alignment: In the scene where terrorists are handcuffed and taken, Wednesday has one cop in front and one behind, there was no need for the cop to be in front. UPO shows the cops having better control over the terrorists.
49) Bomb- Choice of place: Planting a bomb in the jeep is better than having one in the bench.
50) Lives of cops: In UPO, kamal tells the cops to clearly stay away thus warning them not be caught in the explosion indirectly. In Hindi, the cops walk along with the terrorists to the bench. Even a miscommunication could have had the lives of the cops too.
51) Alert Cop: In UPO, the cop Ariff (Ganesh) realizes that a trick could be played and hence he nabs one of the terrorist while he lets go of the others. In Wednesday, he allows them to go and then nabs.
52) Variation in terrorists: In UPO, when one of terrorists is caught, the others try to escape thus revealing that terrorists too are human beings who are afraid of their lives. In Hindi, they do not show much urgency to escape as they do not have a jeep. Not a flaw indeed.
53) Parts of Ending scene dialogues: Voter id, invisible man dialogue addition in UPO was better. “Terrorism is instant, y shudnt justice be so” is a good one
54) Religion based: The way Mohan lal tries to find out if he’s Hindu or Muslim repeatedly is done better in UPO.
55) Region specific reaction: UPO brought out how when a terrorist incident in a part of India, other part is negligent; kamal tries to rebuke the common man who doesn’t even bother to vote, thus showing himself to be a different common man.
56) Making good use of facts: UPO relates the causes better, the way kamal asks that letting go of terrorists in Kandahar creates 26/11 and other incidents. Gud use of recent incidents. The factual reference to Meenambakkam and Sriperumbudur relate well to the audience. When Kamal talks abt these incidents and after some time tells “Marathi oru desiya vyaathi”, even we feel ashamed that we have forgotten these.
57) Terrorist Instigation- Best Bakery case is a good illustration of Ahmadullah became a terrorist. In Wednesday, he tells a story of him tied to mango tree, no strong reason. In UPO, also he tells modi than paaru, thus making indirect reference to Narendra Modi.Indirect reference to Lal Krishna is also intelligent dialogue delivery. Good use of actual incidents like this and Best Bakery Case.
58) Reason for Common man’s action: The reason y Naseer is doing this is weaker in Hindi. Naseer tells he sees a person whose name he doesn’t even know in the train daily and since suddenly he went missing along with others, he felt bad. UPO brought out a better story of a pregnant lady (who is close) being molested in open. Though I should say that, this movie is not having a personal vendetta. This movie is about the response of common man to even incidents that occur to others. SO no weird flashbacks showing incidents in personal life are shown in both the versions thankfully.
59) Shooting Ariff: The other cop shoots Ariff just when the media vehicle is coming, they can easily see that Arif is shot. UPO does this scene from a distance.
60) The last scene is done better in UPO. Mohan Lal comes to kamal’s place. The way kamal drops the vegetable, picks it and explains that he’s forced to do bcos of price rise shows that after all he is just a common man. This also conveys to Lal that he’s after all a common man and that might be even a reason that he lets him off. Lal gives a great reaction here. Kamal’s reaction when he speaks to his wife over phone telling he might be a friend is good. Anupam was more rigid.
Scenes where Wednesday is better than UPO
1) In Hindi, there is a dialogue “please call intelligence for verification purpose”-this showed that intelligence wont have serious doubt about y this information is asked
2) Call tracing was better shown in Wednesday.
3) Ready to diffuse bomb: Anupam asks the cop Jai whether he’s ready to diffuse the bomb, is he married etc. Anupam did well in this scene and he gives a look to Chief secretary after this showing how they r ready to sacrifice their lives. The stare at Chief Secretary cud have been there in UPO too.
4) Reporter asking if she can smoke to the commissioner is uncalled for in UPO.
5) Presentation: The presentation about the terrorists is much better in Wednesday. It explains what they did in various part s of India. The selection of terrorists seemed better in Hindi probably since we have not seen much of Tamil terrorists.
6) Chase scene where Ariff catches arms guy better than UPO. Also, having the arms guy caught by police was better than having him in ICU and getting him discharged to general ward.
7) The scene where the cop Ariff puts his thread inside, thus hiding his community and the way the terrorist laughs at this is good. UPO I suppose avoided this to not bring out community aspect in accordance with its theme.
8) Some dialogues in Ending scene by Naseer- some dialogues were too good, The way Naseer tells that my wife is afraid when I go out, she calls me every 2 hrs to see if I am fine, we are resilient by force and not by choice, common man was taking care of household, shud I wait for something to happen to my family member to take action were very good.
UPO has omitted some of these intentionally bcos Chennai is considered safer and that’s y Kamal wasn’t able to say a dialogue that my wife calls me every 2 hrs to see if I am fine.
Other Aspects:
UPO showed light fading as the day progresses. Great view of Chennai captured in Red Camera. Better choice of the construction building and other locations.
Acting:
Mohan Lal clearly scores over Anupam Kher (with all respects to Anupam’s good work). Mohan Lal brings out the cool, clearly thinking at his feet aspect of this role better.
Kamal and Naseer- both had done exceedingly well. In a role where u are seated in the same place and doing a similar action (calling and warning), all that matters is ur voice modulation and expressions and that’s where Kamal comes as a clear winner. The veteran excels even in the role of a common man.
Lakshmi as Chief Secretary and Ganesh Venkatraman as the cop are another highlights of the movie. They clearly are miles ahead of their counterparts in Hindi. Lakshmi has enacted the role to perfection, bringing about frequent changes in emotion. Ganesh Venkatraman as the cop Ariff exhibits a controlled temper, whereas in the original, it seemed as if Ariff was only a hot headed guy. Anuja Iyer was good too in the small role of a reporter, though the Hindi reporter looked more appealing. The Sethu cop, hacker role etc was good in both the versions. Background score in Wednesday seemed a touch better.
Definitely, UPO scores over Wednesday, in most of the film making aspects as clearly evident from our analysis. A remake has its own advantages and provides opportunity for correcting the flaws in the original. If you have creative minds like Kamal and Chakri, you are more likely to add fresh appealing content too and present the film in the best possible manner. While UPO deserves all the credits it truly deserves, take ur time to salute the original “A Wednesday” for its daring attempt to make a film with No songs, crass comedy, fights, heroine, larger than life characters and not sticking to the conventional duration of films.
Films like these are sure to stay!